Article from Videography on the Red One Workflow for Editors

Following up on my post last week on the Red One, I found this article on the Editing Workflow for the Red One.

It also goes into some high profile projects that have been shot on the Red One:

RED ONE is proving itself out in the field, providing VFX shots on the action film Wanted and the sci-fi fantasy Jumper, as well as 100 percent of the acquisition on Steven Soderbergh’s Guerrilla, The Argentine and The Informant. In addition, the directing team that delivered the digitally-shot Crank is shooting their upcoming Game as an all-RED feature film production. Not to mention many lower-profile productions ranging from commercials and music videos to indie film projects.

Read it here.


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